2024 Submissions

CYA Awardees


Categories 


Music Performance, 2024 Caroline Bushman Music Performance, 2024 Caroline Bushman

Violin Concerto II. Adagio by Barber

Although many concertos focus on virtuosity--seeking to display an artist's technical prowess--one of Barber's concerto's beautiful aspects is how it focuses on emotion and expression. The second movement is a religious experience of sorts--pushing artists to find a way to transfer the feeling of an otherworldly experience for the listener.

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Visual Art, 2024 Caroline Bushman Visual Art, 2024 Caroline Bushman

Enlightened

Since I had such a strong concept in the beginning, I found little difficulty in conveying multiple correct ways to display this piece. I drew inspiration from “The Creation of Adam” by Michelangelo and took concepts from there as further inspiration. One side features a human hand and plants with simple patterns, organic shapes and a rising sun, while the other side has a robot hand, complex designs, and inorganic shapes like triangles and squares to further push the artificial themes. Depending on which way the project is displayed, one would see a human hand reaching down to a robotic hand, which could symbolize the advancement of technology and how human intelligence has developed so far it’s paving the way for artificial intelligence. If you flip it, you’ll see the robot hand above the human hand. This could mean artificial intelligence is helping humanity solve the problems it itself has caused. It could also be interpreted as artificial intelligence letting go of humanity to ascend past it, as AI has gotten out of control and is now superior to humanity. Alternatively, one with an optimistic lens might see it as a representation of the link between the past and future, and how humanity must acknowledge both in order to build a better world. I feel most successful in how I layered the cardboard pieces to convey a sense of depth, and to have accurately created a piece that has multiple orientations and multiple interpretations based on how it's perceived.

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Visual Art, 2024 Caroline Bushman Visual Art, 2024 Caroline Bushman

Tee Off

This piece is a tea pot in the shape of an American football and and has a stand that replicates a kickers tee that they use to kick the ball.

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Visual Art, 2024 Caroline Bushman Visual Art, 2024 Caroline Bushman

Touch the Heart

This painting encapsulates a moment Chinese families know all too well. It pictures the scene of a young girl eating traditional dim sum dishes, such as chow mein (炒面), steamed dumplings (小笼包), stewed beef with radish (萝卜炆牛腩), and spicy boiled fish soup (水煮鱼) alongside her family. Dim sum, which directly translates to “touch the heart,” has deep roots in Chinese culinary traditions, and the practice has evolved over centuries. Its origins can be traced back to the teahouses along the Silk Road, where travelers would stop for tea and snacks. Over time, the practice spread and became integral to Chinese culinary culture. It has become a widespread practice for family gatherings and social events where families and friends can share a lively conversation and a comforting meal.

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Visual Art, 2024 Caroline Bushman Visual Art, 2024 Caroline Bushman

Monday Afternoon in Tokyo

During my first trip back to Japan after Covid to visit family, I came across a restaurant situated beneath a subway track. Captivated by the restaurant's brightness and the glowing rice paper lanterns, I took photos drawing later. Because I was traveling, my art materials were limited, and I only had my rollerball pen. Therefore, to show how the sign illuminated and contrasted the dark underpass, I utilized varying degrees of cross-hatching to deliver value. In addition, I changed the direction of the cross-hatching to show a change in texture, curvature, and perspective. In addition, because of the complexity of the real-life location, heavy cross-hatching helps emulate the busyness of the street and the restaurant's exterior. Lastly, I made sure to include pedestrians as they added to the interest and liveliness of the drawing.

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