Lin Chong, Snow Tramping
Cara W.
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Across my life, I have heard many voices offer definitions of what a “Chinese-American” artist is, and like this composition’s hero, I am in the process of discovering my authentic self. The piece begins in two cellistic voices: the first questions with unresolved harmonies; the second pushes further before abruptly demanding this cadenza’s end. These first two sections of the movement don’t yet break free — they could even be described as Romantic or Impressionistic. They represent the start of my journey, where I hadn’t broken free from stereotypes. However, the last section finally frees itself of tradition, revealing powerful modernism via extended bow techniques that mimic a flurry of snow. As this ending sound effect repeats across all three of Lin Chong’s movements, I hear it as the composition’s authentic core. Playing Lin Chong allows me to free myself from the expectations others impose on me.
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For me, creativity is not just invention; it is tucked away in the nuances of interpretation. Classical musicians perform well-loved compositions, but our individual ears, informed by our past life experiences, reveal different details, feelings, and meanings. Every performance offers limitless opportunities for creativity and change.
