Que Fais Tu Blanche Tourterelle
Anastasia M.
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While I read Romeo and Juliet in 9th grade, I didn't truly appreciate the classic play until my vocal teacher assigned "Que fais-tu Blanche Tourterelle" from Gounod's opera Roméo et Juliette. I was immediately captivated by the aria's humorous and lively music, as well as its vocal challenges. I love performing it because Stefano doesn't appear in Shakespeare's original play. He was added by the librettist, naive and over-the-top, allowing for immense expressive freedom. This piece has greatly developed my character portrayal and extended my vocal range, particularly with its flashy ending and a challenging high C. It’s pushed me to embody immaturity and mockery, proving that for Stefano, "too far" is usually "just right." The melisma at the end is tough, but nailing that high C is incredibly rewarding!
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For many, creativity is about self-expression, being heard, and sharing personal feelings. But as a singer, my creative journey is distinct. It's an opportunity to inhabit a role, to step into a character's shoes and imagine their life. Through understanding others, I ultimately understand myself – and that's true connection.
