This piece is a look at the primal nature that exists within all creatures.

Crash came out of a very intense, very one-sided crush I had on an older boy in one of my classes last year.

These three pieces are all inspired by moments.

This piece was inspired by my chronic pain.

My work captures a childhood memory of two girls stealing a strawberry cough drop from a teacher’s desk, or perhaps three possible versions of how it might have happened.

Summer has always been an incredibly important time of year for me.

These pieces reflect the broader theme of identity and mark the ending of childhood in a rather universal way.

This was something that was initially for a school assignment, but I thought it showcased my writing well.

My flash fiction piece explores the tension between perception and reality through the voice of an unreliable narrator.

People often overlook depression because it isn’t a tangible thing they can see.

This sonnet reflects on how unsettling natural change can become a source of renewal.

An Open Letter to Maria Lvova-Belova is a work shaped by memory, urgency, and moral witness.

For “Asteroid 2024 YR4,” when I first discovered the news about this asteroid, I felt scared by its prospect of hitting Earth, but as I found out more about it, I felt better.

I have a deep-seated and fundamental fear of being traditional.

In these two poems, I wanted to explore conception and the definition of a baby.

I wrote this poem to dig up a failed friendship I hid behind myself.

Ribfire is the sound of a body trying to survive itself.

This piece is a non-fiction about beginnings, endings, or anything that feels abrupt and uncomfortable.