When It All Falls Down captures the power of media influence in our society.

“Sicilienne”, traditionally attributed to Maria Theresia von Paradis, an Austrian musician who has been blind since childhood.

As a classical musician, I feel the responsibility to simultaneously respect tradition and bring something to the music that lies beyond the page.

To date, Debussy’s prelude “Feux d’artifice” (Fireworks) has been the most exciting piece to perform.

Ludwig van Beethoven's Sonata No. 7 in D Major, Op. 10 No. 3, part of the Op. 10 set dedicated to Countess Anna Margarete von Browne, reflects a period when Beethoven was gaining the artistic freedom to explore bolder ideas.

Preparing this movement of Shostakovich was very intense for me. Embodying the bitterness and irony of his sound required extensive research on his life and the suffering he endured.

When I play the opening of Carl Vine’s Piano Sonata No. 1, I feel like I’m stepping into a part of myself that isn’t always easy to articulate.

The piece I will be performing is the Canzonetta, the second movement of Tchaikovsky’s Violin Concerto.

This is my performance of Howl's Moving Castle at a Christmas Recital in 2024 held in the Oakland California Temple.

In 1817, when Paganini composed his Caprice No. 24 in A minor for violin, it quickly became an undeniably memorable tune.

This concerto is one of my favorite works for violin.

Ligeti's Etude No. 13, "L’escalier du diable," was inspired by M.C. Escher's seemingly "impossible" mathematically derived artwork, which parallels the notion of creating a relentless, impossible staircase that Ligeti wanted to uncover.

Inspired by the legendary Chinese folktale The Butterfly Lovers (often called China's "Romeo and Juliet"), this performance reflects my cultural identity and genuine passion for piano.

This song is from a musical called “Be More Chill.”

I focused on bringing out the interesting harmonies in Dvorak's work, finding moments for the music to breathe, and highlighting the contrasting characters through different sound qualities.

Hamelin quoted the French tune “L'Homme Armé” in the Toccata he wrote for the 2017 Van Cliburn piano competition.

My work explores how the sound of the harp can create emotion, color, and movement.

The piece feels spontaneous and expressive, like an outpouring of emotion rather than something rigidly structured.

This is a recording of me singing the song Maybe This Time from the Broadway musical Cabaret.

This is a classic jazz piece written by Erroll Garner, however it was done in the style of Ella Fitzgerald.