As the first-chair alto saxophonist in El Camino’s jazz band, my solo in Jazz Police, by Gordon Goodwin, reflects both of my determination and my love of musical expression.

Ashitaka and San, composed by Joe Hisaishi, is the ending track for the movie Princess Mononoke from Studio Ghibli.

My interpretation of Liszt's Consolation S.172 No. 2 in E major evokes a self reflective and singing style.

I really love playing Bach on my violin.

This is cover of a song titled “Requiem” from the musical Dear Evan Hansen. It is a powerful, emotional song about losing a loved one.

Singing is my passion, I love all types of music, and this song from Ride The Cyclone musical just got me so enthusiastic about the musical in general and in particular this song was a dream for me to be able to sing.

“Philomel, with melody. Sing in our sweet lullaby.”

At San Marin Highschool’s Hadestown musical.

Commissioned by famed violinist Hilary Hahn in 2013, Ford's Farm is a playful showpiece that encapsulates the pastoral lifestyle.

I love singing pieces that challenge me.

I interpret “Memories” as an evocative, expressive journey.

While I read Romeo and Juliet in 9th grade, I didn't truly appreciate the classic play until my vocal teacher assigned "Que fais-tu Blanche Tourterelle" from Gounod's opera Roméo et Juliette.

Chloe, this cover by Joe Pass, is one of the first jazz songs I learned. It was written by Charles N. Daniels (Neil Morét) and Gus Kahn.

The first time I sang "My All," I was standing on tiptoes, clutching a mic much taller than me, in a living room buzzing with my Filipino family's laughter.

Nikolai Kapustin's Toccatina, Op. 36 blends the brilliance of classical music with the grooviness of jazz.

Scarbo is the night goblin in Aloysius Bertrand’s Gaspard de la nuit. He slips into a room, swells until he looms over the bed, rattles tiny bells, then shrinks and melts into moonlight.

Four Personalities: I. Yellow, IV. Red by Alyssa Morris is a work that explores the spectrum of human mood through juxtaposing movements.

While learning and performing "Già il sole dal Gange," I was deeply inspired by the poetic imagery within the text.

"The 3 G's" by Kenji Bunch is a solo viola piece with a unique tuning where the A string is tuned down to G, and the C string is tuned down a fourth to another low G.

Le Désir to me means more than just rolling cords and intricate fingering.