This piece reimagines the familiar childhood fear of the “monster under the bed” as a symbol of how our understanding of fear changes as we grow up.

This series of poems embodies the dreamlike nature of time, existence, and memory.

Hatachi (二十歳) is the age at which one is considered an adult.

I spent this past summer in San Marcos Arteaga, Mexico.

For this artwork, I explored my AP inquiry question: How have the physical and cultural environments of the SF Bay Area evolved over time?

Originally made for a photography class assignment, this photo turned into a social justice piece as I kept building the set.

A while ago my friends and I decided to explore and photograph a long abandoned railroad tunnel.

This photo was a turning point for me.

This photo I took explores the idea of duality and self discovery.

In this image I captured the path of the light arcing through the air. It illuminates the contour of the girl's body and ends in a bird in flight.

Touch of Life represents the symbiotic relationship between an artist and their art. It is a take on Michelangelo's “The Creation of Adam” where God breathes life into Adam, the first man.

I took this at the No Kings Protest in Oakland, I think its very relevant in todays current world and im glad I took it.

This work is from a trip to China I took with my school.

Created using a banana, paper cups, and mini figurines, "Banana Bobsled" is a whimsical photo that aims to capture the imagination of the viewer.

“Trapped in Silence” shows the feeling of being unable to speak or express yourself.

I captured this photo on a trip to Peru, visiting the “Salineras de Maras,” or salt mines, of Cusco.

For this image, I wanted to create an abstract image that used long exposure and lights to make a scene that couldn't be seen in the real world.

In this photo, I tried to symbolize uncertainty in two ways.

Do any of our names really matter to the system?

In "Hello, World," I leave the version of myself who holds the paintbrush unfinished.