Hamelin quoted the French tune “L'Homme Armé” in the Toccata he wrote for the 2017 Van Cliburn piano competition.

My work explores how the sound of the harp can create emotion, color, and movement.

The piece feels spontaneous and expressive, like an outpouring of emotion rather than something rigidly structured.

This is a recording of me singing the song Maybe This Time from the Broadway musical Cabaret.

This is a classic jazz piece written by Erroll Garner, however it was done in the style of Ella Fitzgerald.

As the first-chair alto saxophonist in El Camino’s jazz band, my solo in Jazz Police, by Gordon Goodwin, reflects both of my determination and my love of musical expression.

Ashitaka and San, composed by Joe Hisaishi, is the ending track for the movie Princess Mononoke from Studio Ghibli.

My interpretation of Liszt's Consolation S.172 No. 2 in E major evokes a self reflective and singing style.

I really love playing Bach on my violin.

This is cover of a song titled “Requiem” from the musical Dear Evan Hansen. It is a powerful, emotional song about losing a loved one.

Singing is my passion, I love all types of music, and this song from Ride The Cyclone musical just got me so enthusiastic about the musical in general and in particular this song was a dream for me to be able to sing.

“Philomel, with melody. Sing in our sweet lullaby.”

At San Marin Highschool’s Hadestown musical.

Across my life, I have heard many voices offer definitions of what a “Chinese-American” artist is, and like this composition’s hero, I am in the process of discovering my authentic self.

Commissioned by famed violinist Hilary Hahn in 2013, Ford's Farm is a playful showpiece that encapsulates the pastoral lifestyle.

I love singing pieces that challenge me.

I interpret “Memories” as an evocative, expressive journey.

While I read Romeo and Juliet in 9th grade, I didn't truly appreciate the classic play until my vocal teacher assigned "Que fais-tu Blanche Tourterelle" from Gounod's opera Roméo et Juliette.

Chloe, this cover by Joe Pass, is one of the first jazz songs I learned. It was written by Charles N. Daniels (Neil Morét) and Gus Kahn.

The first time I sang "My All," I was standing on tiptoes, clutching a mic much taller than me, in a living room buzzing with my Filipino family's laughter.